Marjorie Prime

Movie Name: Marjorie Prime
Year of Release: 2017

Director: Michael Almereyda

Stars: Jon Hamm, Geena Davis, Lois Smith, Tim Robbins, Hannah Gross, Stephanie Andujar, Azumi Tsutsui
Genre: Drama

Score out of ten (whole numbers only): 8
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Synopsis:

After the well received "Experimenter", director Michael Almereyda is back, with one of his best features (he came to prominence in the early 90s with "Nadja", which premiered in 1994). "Marjorie Prime" takes place in the near future, and focuses on the story of Marjorie. Marjorie is 85 and struggles with dementia. In order to alleviate these challenges, her daughter Tess and son in law Jon, have provided her with an AI type of assistant, which has taken the form of her deceased husband, Walter (when he was in his 40s). Through their interactions, conversations and mutual pool of memories, Marjorie can revisit parts of her past, and to a larger extent keep herself engaged and in the moment. Walter Prime (Prime is the name of the application that runs these AI assistants), keeps learning continuously, not just from Marjorie, but from Tess and Jon, in order to collect more memories and be more useful in its purpose. As the story evolves, we witness as the Prime application (and the forms it takes) becomes such a presence in the lives of these individuals.
"Marjorie Prime" is a film that is smartly built on the premise of memories being copies and interpretations of events that took place, but ones where humans access them continuously, but where they get more and more faded out as they get accessed. The Prime application, functions in the film as possibilities of closure and closeness to characters whose lives were shattered by the loss of someone, or for characters who never had a chance to deal with unearthed issues. Marjorie initially uses the program to remind herself of things she's losing, as she's battling dementia, but as the film evolves, and Tess then uses the program, and eventually Jon, it's interesting to see how they all try to capture something from the past, through their own prism, in order to achieve some sense of peace or understanding. It's a film that, similarly to a lot of interesting sci-fi concepts, questions how we interpret memories, events, and how sometimes finding the right place for these means nothing if these events aren't addressed, digested and truly comprehended. It's a very intelligent film, one that lives from interactions, and from the performances of their leads, all of whom are great in their roles. The film also features a beautiful soundtrack by Mica Levi, and an elegant cinematography from Sean Price Williams. A very good film worth watching.

The Circle

Movie Name: The Circle
Year of Release: 2017

Director: James Ponsoldt

Stars: Emma Watson, Tom Hanks, Karen Gillan, Patton Oswalt, Glenne Headly, Bill Paxton, Ellar Coltrane, Nate Corddry, John Boyega, Amir Talai, Ellen Wong, Beck

Genre: Drama, Thriller

Score out of ten (whole numbers only): 5
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Synopsis:

Director James Ponsoldt continues his string of interesting projects/features, with the adaptation of Dave Eggers book, "The Circle". The film focuses on the story of young Mae, who lives in a suburb of the Silicon Valley area, working an aimless job, who suddenly finds herself being interviewed for a job with one of the hottest tech companies in the area. Mae aces the interview, starts her new position, and progressively gets a better understanding of how "The Circle" operates across multiple people's lives, including her own and the one of her friends and family (including her parents, who get dragged to the network, even when her father is dealing with some serious health issues which they prefer to keep private). "The Circle" is governed by the charismatic Bailey, who comes in contact with Mae, through some unexpected circumstances. This turn of events makes Mae an instantly recognizable character within the company, and within the social network, something that keeps evolving, as the Circle's plans also keep expanding ever more.
So far James Ponsoldt's films have been ever more successful, the more they are focused on characters that are trying to find their place in the world. They are typically young adults, that are establishing or figuring out their own path, and finding that adulthood is perpetually tangled in familial relationships that define or influence those paths. "The Circle" has some of those traits, and it's interesting to observe Mae's interactions in the world, both personal and professional, particularly as she tries to achieve something for herself, and help her parents in the process. However the film introduces a concept, somewhat similar to Irwin Winkler's "The Net" (1995, before the dot com), where the young heroine is working for a company that has sinister motives to everything they do. Obviously "The Circle" tries to be a jab at Facebook, and how privacy is slowly eroding from people's lives, however the film ends up having these two facets that never really marry successfully. On one hand, you have the story of young Mae trying to find her bearing in the world, and on the other there's a somewhat tech thriller looming, and these two never gel solidly. Emma Watson is always a compelling presence, as is Tom Hanks, however the material just isn't as interesting as it could be. It's not sufficiently "Three Days of the Condor", and it's definitely not as intimate and heartfelt as "The Spectacular Now". Here's hoping the director's next feature is a more interesting one.

Murder on the Orient Express

Movie Name: Murder on the Orient Express
Year of Release: 2017

Director: Kenneth Branagh

Stars: Kenneth Branagh, Michelle Pfeiffer, Daisy Ridley, Penelope Cruz, Johnny Depp, Judi Dench, Olivia Colman, Derek Jacobi, Willem Dafoe, Leslie Odom Jr., Leslie Odom Jr., Manuel Garcia-Rulfo, Tom Bateman, Josh Gad, Phil Dunster, Marwan Kenzari, Lucy Boynton, Sergei Polunin

Genre: Crime, Drama, Thriller

Score out of ten (whole numbers only): 4
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Synopsis:

Director Kenneth Branagh is back, following his latest big hit for Disney, "Cinderella". This time around, the actor/director tackles the adaptation of an Agatha Christie novel, that was previously adapted to the big screen in 1974, by Sidney Lumet, and had an equally impressive cast that included Ingrid Bergman, Lauren Bacall and Sean Connery. The film follows the adventures of Hercule Poirot, as he embarks the Orient Express to be taken to a case that needs to be solved in London. During the journey, Poirot comes to know all the passengers, including Samuel Ratchett, who offers him a very generous amount of money to be his personal bodyguard, since he fears for his safety. That same evening, much to everyone's shock, he appears murdered in his cabin, with twelve stab wounds. It's up to Poirot to use his logical and illustrious mind to solve the complicated case.
Agatha Christie's novels and in particular her character Poirot have been adapted and transposed to the screens on multiple occasions. This one hailing from Kenneth Branagh, features a strong and diversified cast, and the film definitely benefits from robust production values, but even upon its start, is a film that is riddled with an artificial tone and feel that never quite manages to be resolved. The film, much like the mustache that Branagh uses for the duration of the film, feels bloated and excessively manicured, never really allowing for any of the characters to exist, much less allowing for any of the viewers to create any empathy with the events that have unraveled on the train. It's a film that has a sterling array of great actors, and yet they get very little bandwidth to really expand on the motivations for their characters. They become nothing more than small anecdotes, and therefore difficult to care much about their outcome. It's a film that could potentially feel claustrophobic, since it takes place on a train, yet that angle is never really sufficiently used (though the cinematography by Haris Zambarloukos is beautiful). The great cast has nothing much to do, though it's always fantastic to see Michelle Pfeiffer and Judi Dench dialing it up a notch. A forgettable endeavor from an irregular director.

Lady Bird

Movie Name: Lady Bird
Year of Release: 2017

Director: Greta Gerwig

Stars: Saoirse Ronan, Laurie Metcalfe, Lucas Hedges, Tracy Letts, Timothee Chalamet, Beanie Feldstein, Lois Smith, Jake McDorman, Jordan Rodrigues, Odeya Rush, Andy Buckley, Marielle Scott

Genre: Drama, Comedy

Score out of ten (whole numbers only): 8
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Synopsis:

Celebrated actress Greta Gerwig (she was last seen in Mike Mill's wonderful, "20th Century Women"), has followed up her first directorial effort, with the largely autobiographical "Lady Bird", in what is one of the best films of the year. The film follows the story of Christine "Lady Bird" McPherson, who is a senior in high school, in 2002, in the Sacramento area. She's intelligent, filled with enthusiasm, but most of all, she longs to leave Sacramento, and move to the East Coast, particularly New York, in order to go to college. She currently attends a Catholic school, where she is best friends with the sweet and understanding Julie. They both decide to audition for a play, since Christine isn't really sure that's something she wants to do, but it's definitely something she wants to try. Once there she meets a young man by the name of Danny, whom she develops an infatuation with, and whom she starts dating. After the premiere of the play, the group goes for a celebration, and Christine discovers some hidden secrets about Danny. As her life keeps going through ebbs and flows, the more Lady Bird knows she wants to try something different, and move beyond the expectations of staying where she is.
"Lady Bird" is a film that surprises and delights, due to its combination of humor, heart, style and incisive observations. It's a film that is so very funny, without ever falling to pratfalls or easy subterfuges. It anchors its humor in the situations that it depicts, and it does so by representing how life is filled with a combination of drama and the absurd. Greta Gerwig manages to build a story and give the central character an arc, and a sense of growth, that comes from allowing this young woman to understand her mistakes, but also pose her questions, declare her ambitions, and find her own identity. It's a film that expertly mixes the angst of growing up with the humor behind certain situations. And it makes it by making the central character authentic, inquisitive, and not perfect. It's a film that is intelligent, with a sense of style and taste that reveals a lot of insight. Saoirse Ronan once again proves she's an excellent actress, as does Laurie Metcalfe, who plays her mom with a ferocious intent and energy. A really great film worth watching.

The Bad Batch

Movie Name: The Bad Batch
Year of Release: 2016

Director: Ana Lily Amirpour

Stars: Suki Waterhouse, Jason Momoa, Jayda Fink, Keanu Reeves, Jim Carrey, Yolonda Ross, Giovanni Ribisi, Louie Lopez Jr., Aye Hasegawa

Genre: Drama, Horror, Romance

Score out of ten (whole numbers only): 1
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Synopsis:

Director Ana Lily Amirpour made a name for herself with the well received "A Girl Walks Home Alone at Night", which premiered at the Sundance Film Festival, and went on to be a staple at a multitude of film festivals during 2014 and 2015. For her follow up feature the director went in a somewhat different direction. The film focuses on the story of Arlen, a young woman who finds herself in a desert wasteland. She is soon captured, and we come to realize she's the target of a small community of cannibals, who take one of her arms and legs, before she manages to escape. With the assistance of a hermit/wanderer, she finds herself in a town named Comfort, where she manages to recover, and even get a prosthetic leg. The town is governed by a man with the name of "The Dream", who rules the town through a supply of drugs, mixed with staged parties. Arlen during one of her walks, stumbles upon one of the cannibals who attacked her, who is rummaging through garbage with her daughter. Arlen's reaction sets a series of events in place.
"The Bad Batch" is a film that promises more than it delivers. It starts by introducing a bleak and post apocalyptic dystopian future, with survivors living in a deserted wasteland. The central hero, a young woman, is immediately put through a difficult situation, which she manages to overcome. However, during the entirety of the film, the character never really amounts to much, both in terms of motivation, nor in terms of understanding what her actions and interests actually are. It's a film that basically gives the actors very little to do, providing suggestions to what they should behave like or look like, without anchoring them in a world that is sufficiently well developed or established. The film tries to be a derivative of George Miller's "Mad Max", but lacks everything in terms of character dynamics, and even context establishment. The film contains certain stylistic flourishes, but aside from that, it's a resounding lesson on how to squander talented actors and a decent budget on something that is instantly forgettable.

Three Billboards Outside Ebbing, Missouri

Movie Name: Three Billboards Outside Ebbing, Missouri
Year of Release: 2017

Director: Martin McDonagh

Stars: Frances McDormand, Woody Harrelson, Sam Rockwell, Caleb Landry Jones, Abbie Cornish, Lucas Hedges, Zeljko Ivanek, John Hawkes, Peter Dinklage, Kerry Condon, Amanda Warren, Clarke Peters, Nick Searcy, Sandy Martin, Samara Weaving

Genre: Drama, Comedy, Crime

Score out of ten (whole numbers only): 8
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Synopsis:

Following his previous directorial effort, "Seven Psychopaths", writer and director (and playwriter) Martin McDonagh is back with another original feature. The film focuses on the story of Mildred Hayes, a divorced woman living with her son in Ebbing, Missouri. Mildred is still coming to terms with the horrible and brutal murder of her daughter Angela, and decides to call out the mediocre performance of the local police department, by renting three billboards in a secondary road without much traffic. This initiative angers some elements of the police force, and also causes for some disputes to emerge in the small town, since the local police chief is well respected, but also dying of cancer. These billboards are particularly grating for officer Jason Dixon, a somewhat young police officer, whose temper seems to get the best of him, and who finds himself in trouble due to his clear antagonism with Mildred.
Martin McDonagh has made a career for himself with very successful and well received stage plays, but also with a slew of films that have found good critical response (in particular "In Bruges"). "Three Billboards Outside Ebbing, Missouri" has been playing to great acclaim across multiple film festivals. And one can easily see why - the film allows for Frances McDormand to play a character that is tailor made to her skills, namely a woman that is resolute, fiercely independent, calling events out as she sees them, intelligent and ferocious. The film also allows for the entire repertoire of characters (and the actors playing them), so shine, even in the smallest roles. It's a film that brings to life that small town, and how lives are intertwined, even if people are seemingly so disparate. It's also a film that mixes comedy and deep rooted drama, without creating characters that are simplified cliches and overly simplistic. If anything, it's a film that unfolds its narrative and its layers as the action progresses, showcasing interesting characters and situations that never feel gratuitous for the sake of being present. This mix of characters and subplots is also its downfall, since characters do come and go, but it's a film that works on multiple levels and gives its incredible cast an opportunity to shine. Worth watching.

Gerald's Game

Movie Name: Gerald's Game
Year of Release: 2017

Director: Mike Flanagan

Stars: Carla Gugino, Bruce Greenwood, Henry Thomas, Carel Struycken, Kate Siegel, Chiara Aurelia

Genre: Drama, Thriller, Horror

Score out of ten (whole numbers only): 7
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Synopsis:

In a year that has seen plenty of Stephen King's adaptations being transposed to the screens, streaming giant Netflix has premiered another of those versions with "Gerald's Game". The film from director Mike Flanagan, follows the story of a married couple, Jessie and Gerald, both of whom go to a secluded house during the weekend to try and spice their marriage. Gerald who is a bit older than Jessie, prepares everything in advance, so they can stay all by themselves, and engage in some potentially exciting bedroom games. As a result of one of those games, Jessie finds herself cuffed to the bed. When the erotic game fizzles, Gerald starts feeling poorly and suddenly collapses due to a heart attack and promptly dies. Jessie finds herself unable to get free, since the keys for the cuffs are by the bathroom. As the minutes and hours start unfolding, Jessie's ghosts, paranoia and fears start mounting, jeopardizing her own survival.
Mike Flanagan who has made a career for himself directing thriller and horror features, most notably 2016's "Ouija, Origin of Evil", manages to create with "Gerald's Game", a film that smartly plays what is a one person debacle, into an engaging and claustrophobic experience. The film starts by introducing the couple's dynamics early on, but when Gerald passes, things quickly become more exciting, since Jessie and her fears and ghosts come into play. The director smartly visualizes them and places them in the room, alongside imprisoned Jessie, which makes for an interesting and compelling viewing. The film manages to never fall trap of the cliches associated with couples of different generations, instead allowing for the characters to be well developed, particularly Jessie, who eventually finds within herself the resources to survive. The film gives Carla Gugino an opportunity to showcase her versatility in a lead role, simultaneously giving the always underrated Bruce Greenwood an opportunity to play a character outside his typical supporting roles (he's played Presidents, Admirals and figures of authority quite a few times). A good film worth watching.

Justice League

Movie Name: Justice League
Year of Release: 2017

Director: Zack Snyder

Stars: Ben Affleck, Henry Cavill, Amy Adams, Gal Gadot, Ezra Miller, Jason Mamoa, Jeremy Irons, Ray Fisher, Diane Lane, Connie Nielsen, J.K. Simmons, Billy Crudup, Ciaran Hinds, Amber Heard, Jesse Eisenberg, Joe Morton, Michael McElhatton, Anthony Wise, Holt McCallany, Joe Manganiello

Genre: Action, Adventure

Score out of ten (whole numbers only): 3
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Synopsis:

Director Zack Snyder is back, following the critical lambasting that surrounded his previous directorial effort, "Batman v Superman: Dawn of Justice". "Justice League" had its fair share of problems during shooting, including the director stepping away for personal reasons, and the hiring of Joss Whedon for additional reshoots and refinements of the script. The film picks up after the events of the aforementioned film: Superman has died, and the world is still recovering from that shock, in particular Lois Lane and Martha Kent. A new menace looms in the shape of Steppenwolf, another entity that has been banned to an alternate dimension, and who has set his sights on taking over Earth. Batman seeks the assistance of Wonder Woman, but they soon realize they need further assistance, which comes in the shape of The Flash, Aquaman and Cyborg. They unite their considerable talents, to defeat this impossible foe, but also to bring back Superman, without whom, the task will be impossible to achieve.
"Justice League" again lags behind the concepts that doomed a lot of "Batman v Superman": the characters are flat and unidimensional, and not much motivation is provided for any of them, the same being said for the supporting characters (Amy Adams and Diane Lane have nothing to do, except look beautiful and concerned). Where this film improves upon the previous, is the insertion of a levity, humor, that is finely captured by the youth and dynamic quips of Ezra Miller's Flash/Barry Allen character. Zack Snyder is a director, very much like Michael Bay, who can capture artificiality and set pieces that are all about visual mayhem (and they share a very similar aesthetic), but lacks the ability to make characters credible, or give them enough range for audiences to care about them. This film in particular carries with it, the distinction of having characters that so many people know from comic books, and yet there's nothing particularly memorable or engaging about it. The choice of antagonist, is once again, a creature that is digitally created, with digital minions that feel artificial, hollow and devoid of real menace, and therefore, lack of personality. It's a film with stunning production values, but also one that feels like a set of marketing ads/commercials for either men's fragrances or expensive cars. The film manages to have some spark thanks to the presence of Amy Adams, Diane Lane, Billy Crudup, Ezra Miller and Connie Nielsen, all of whom with very little to do, manage to add some heart and humor to the proceedings. This series is in dire need of a new point of view.

The Edge of Seventeen

Movie Name: The Edge of Seventeen
Year of Release: 2016

Director: Kelly Fremon Craig

Stars: Hailee Steinfeld, Haley Lu Richardson, Blake Jenner, Woody Harrelson, Kyra Sedgwick, Hayden Szeto, Alexander Calvert, Eric Keenleyside, Daniel Bacon, Ava Grace Cooper

Genre: Comedy, Drama

Score out of ten (whole numbers only): 6
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Synopsis:

"The Edge of Seventeen" is Kelly Fremon Craig's directorial debut, and comes with the producing stamp of acclaimed veteran writer/producer/director, James L. Brooks. The film follows the story of young Nadine, who is in high school, and has always felt as an outsider. Though her feelings of inadequacy have persisted from her childhood through adolescence, she always had the help of two people: her dad and her best friend, Krista. Sadly her father unexpectedly passes away, leaving her and the rest of her family dumbfounded, and her best friend starts dating her brother, someone Nadine has always considered too perfect to relate to. She has an unspoken crush on a boy in her school, but suddenly an intelligent and considerate classmate comes into play.
Unlike the staple and iconic John Hughes films of the 1980s, that perfectly portrayed and captured adolescence and the angst of growing up, Kelly Fremon Craig, focuses specifically on what being a precocious and strong willed young woman in the age of technology and social media actually means. Nadine, the focal character, is far from perfect, which makes her an interesting and compelling character to observe and follow - she obeys her own impulses, not weighing the consequences of her actions, or what impact they have on the lives of her mother and brother. The film creates a nuanced observation of what is being young in the age of social media, though it still relies on some stereotypes to get the message across (namely the inaccessible love interest, the timid boy next door with the crush on the heroine). The chosen actors are impeccable, with Hailee Steinfeld easily carrying the film on her talented shoulders (and Woody Harrelson creating a character that is sympathetic and humorous for a change). The film definitely lacks a more distinct point of view, but it's a solid debut.

The Lord of the Rings: The Two Towers

Movie Name: The Lord of the Rings: The Two Towers
Year of Release: 2002

Director: Peter Jackson

Stars: Elijah Wood, Ian McKellen, Viggo Mortensen, Sean Astin, Dominic Monaghan, Billy Boyd, Liv Tyler, Orlando Bloom, John Rhys-Davies, Hugo Weaving, Sean Bean, Cate Blanchett, Christopher Lee, Andy Serkis, Miranda Otto, Karl Urban, Brad Dourif, Bruce Hopkins, Craig Parker, David Wenham

Genre: Action, Adventure, Fantasy

Score out of ten (whole numbers only): 8
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Synopsis:

Following the astounding commercial and critical success of "The Lord of the Rings: The Fellowship of the Ring", director Peter Jackson continued the adaptation of J.R.R. Tolkien's books, with the following tome, "The Two Towers". This time around, the story finds all of the group scattered in different directions. Frodo and Sam continue their path to destroy the ring, but find the creature Gollum following them. Aragorn, Gimli and Legolas, find themselves in the kingdom of Rohan, where they discover the king has been under the nefarious influence of Saruman. It's up to them, with the help of recovered and more powerful Gandalf, to change the tides, and battle the biggest army assembled by Saruman, to completely vanquish what is left of Rohan and the kingdom of men.
If "The Lord of the Rings: The Fellowship of the Ring" opened the doors to this magical universe, the adaptation of the second tome by Peter Jackson, continued to expand the scope and dynamics of these characters, while also introducing new supporting key roles to the ever expanding saga. The film does have an interesting construct and mechanism, where sections of exposition are broken with sections of action, which can become a bit tedious after a while, but Peter Jackson has a way to embrace the viewers in this richly layered universe, and never making the films falter into predictability. The director smartly allows for new characters to emerge, all the while allowing them to perfectly adhere to the dynamics of the story and the focus of the lead narrative (and characters). It's a film that marries impeccable storytelling techniques, with stunning production values, including the beautiful cinematography of the late Andrew Lesnie and the score of the great Howard Shore. Another great example of an impeccably executed piece of entertainment.

Snatched

Movie Name: Snatched
Year of Release: 2017

Director: Jonathan Levine

Stars: Amy Schumer, Goldie Hawn, Joan Cusack, Ike Barinholtz, Wanda Sykes, Tom Bateman, Christopher Meloni, Oscar Jaenada, Bashir Salahuddin

Genre: Comedy

Score out of ten (whole numbers only): 3
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Synopsis:

Director Jonathan Levine continues his track record of tackling offbeat comedic material, following his previous films "Warm Bodies" and "The Night Before". This time around the story focuses on Emily Middleton, a thirty something woman, who gets fired from her sales assistant job, and whose boyfriend also breaks up with her. Since Emily has already booked a trip to Ecuador, and none of her friends wants to travel with her, she decides to invite her lonesome mother to tag along. After much resistance, Linda finally caves in, and both women find themselves in a beautiful resort in Ecuador. While there Emily flirts with a handsome gentleman by the name of Tom, who turns out has a hidden agenda, that gets both women in trouble. It's up to them, with the help of their brother/son Jeffrey, to figure out a way to escape unscathed.
"Snatched" is a film that definitely promises a lot more than it delivers. It's essentially a vehicle for the comedic talents of Amy Schumer, however her trademark type of humor is aggressively diluted. What has made Amy Schumer such a refreshing presence in comedy, is her point of view, one that challenges perceptions about typical female stereotypes, alongside her candor and self deprecating style. While some of that can be seen as the film initially starts, as the narrative unfolds, it quickly becomes something quite conventional, standard, and ultimately forgettable. The script definitely lacks a biting satire, and the whole "Fish out of water" and "Growing up" lessons that it delivers, feel like something that has been done in more compelling ways in much better and iconic films (it's interesting how there's even a slight semblance to what Robert Zemeckis' "Romancing the Stone" has created, but without any of it's humor or energy). Both Amy Schumer and Goldie Hawn try their hardest to make the story and character dynamics compelling, but there's too little to appreciate aside from their talents. A forgettable feature.

The Ornithologist

Movie Name: The Ornithologist/O Ornitólogo
Year of Release: 2016

Director: João Pedro Rodrigues

Stars: Paul Hamy, Xelo Cagiao, João Pedro Rodrigues, Han Wen, Chan Suan, Juliane Elting

Genre: Drama

Score out of ten (whole numbers only): 7
Watch it on Amazon

Synopsis:

Portuguese director João Pedro Rodrigues is back, following his last film "The Last Time I saw Macao" which came out in 2012 (though he has directed a few shorts and documentaries since then). "The Ornithologist", follows the story of Fernando, a solitary ornithologist who is looking for black storks. While doing his observations, he takes his kayak down the river, and gets caught up in some unexpected rapids. He is discovered by a couple of Chinese pilgrims, who bring him back to life, but who suddenly decide to tie him up, in order to convert him. Fernando manages to escape, but his path keeps being met with interesting and colorful characters.
João Pedro Rodrigues has made a career for himself, by building stories around a universe that is very much his own. That was the case with his "O Fantasma", which came out in 2000, and followed the story of a young gay man who gets progressively more alienated from contact and society, and finally ends up living in a garbage dump. His films and universe tend to reflect a lot of themes that are close to him as an individual, namely his cultural legacy, his queer identity and the history of Portugal itself. Of all his films, "The Ornithologist" is quite possibly the most interesting, functioning on so many levels, from a perspective of pastoral story, to questions of faith and identity. It's definitely a film that stays with you, one that asks for many questions and forces the viewer to be invested in what is happening on the screen. The cinematography from Rui Poças is stunning. A very interesting  film from a unique voice in film.

Thor: Ragnarok

Movie Name: Thor: Ragnarok
Year of Release: 2017

Director: Taika Waititi

Stars: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban, Mark Ruffalo, Anthony Hopkins, Benedict Cumberbatch, Ray Stevenson, Luke Hemsworth, Matt Damon, Sam Neill, Rachel House

Genre: Action, Adventure, Comedy

Score out of ten (whole numbers only): 2
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Synopsis:

Marvel's filmic output continues, this time around with another adventure focused on the character Thor, after the previous two films respectively directed by Kenneth Branagh and Alan Taylor. This time around, Thor finds himself looking for his father, only to discover Odin has chosen to disappear and not resume his ruling. This causes for a new character to make her way into the plot: Odin's oldest daughter, Hela, the goddess of death. She manages to defeat both Thor and Loki, and heads to Asgard, in order to pursue her ambitions of ruling the entire galaxy. It's up to Thor, with the aid of Hulk, Loki and Valkyrie to thwart her plans.
Director Taika Waititi is known for his comedic films, particularly the most recent "Hunt for the Wilderpeople". He tries to infuse the film with a light and comedic tone, after the more somber tones of the previous tomes. However, as much as the film adopts a rather crass and trashy aesthetic (how is it possible that a film that costs so much money looks so incredibly cheap), the humor is never derived from situations being funny - they are more of a result of the director looking at the audience, winking and saying "see, even really powerful beings are silly and childish". This could potentially work for a film that toyed with the idea of comic book characters having every day foibles and issues, but the film never finds a right tone: the nemesis of it all, Hela, kills a ton of people, while still trying to be sarcastic, something that Cate Blanchett does like no other, but still she massacres cardboard characters, always tongue in cheek (is the film suppose to be a dark comedy at this point). Sadly, there's a lot of threads, and tones competing for attention (the whole section with Jeff Goldblum feels especially conceived to be part of "Guardians of the Galaxy"), and they never quite gel. The film is never really enthusiastic, and even the production design looks garish and cheap. With such a talented cast assembled, Cate Blanchett manages to walk away with what little her character has to do.  One of the worst Marvel films to have come out yet.

Jack Reacher: Never Go Back

Movie Name: Jack Reacher: Never Go Back
Year of Release: 2016

Director: Ed Zwick

Stars: Tom Cruise, Coby Smulders, Aldis Hodge, Danika Yarosh, Patrick Heusinger, Holt McCallany, Robert Knepper, Judd Lormand, Christopher Berry, Hunter Burke

Genre: Action, Thriller

Score out of ten (whole numbers only): 4
Watch it on Amazon

Synopsis:

After the underrated and little seen "Pawn Sacrifice", director Ed Zwick is back, continuing with the saga started by Christopher McQuarrie with "Jack Reacher" in 2012. The film is again an adaptation of a novel by Lee Child, in the series he has written focused on the character of Jack Reacher. This time around, the character finds himself helping Major Turner, once he discovers she has been arrested under the accusation of espionage. Soon Reacher finds himself a target also, and he successfully manages to liberate Turner, so they can try to understand who's trying to frame and kill them. Along the way, they tag along with a young girl, who gets involved by indicating that she's related to Reacher. The criminals will stop at nothing to prevent their plot from being unveiled.
Jack Reacher is a character who truly deserves someone with a grittier vision to take this series to a darker domain, or at least imprint it with a B-movie aesthetic it so badly deserves. As it stands, it's a film that tries to be many things without truly having a personality or point of view: it's not as clever as the Bourne series, and not as pedestrian as the Taken series. It's somewhat in between, trying to be somewhat a throwback to the 80s (peppered with some "Death Wish"/Charles Bronson), without really achieving the goal of being memorable. It's a slick film with solid production values, with a director who knows how to create a well crafted feature, without ever creating something particularly distinct. And that ends up being the downfall of this film: it alludes to much, but it doesn't define an actual point of view, or something that packs a punch like the character seemingly does. Tom Cruise does his best to carry the film, but he's the only one with something to do. The supporting characters are barely there, and are quickly forgettable (and if the poster of the film is any indication, yes, the main star does have its back to all of the supporting cast). It's an instantly forgettable feature, from an interesting director.

The Hours

Movie Name: The Hours
Year of Release: 2002

Director: Stephen Daldry

Stars: Meryl Streep, Julianne Moore, Nicole Kidman, Stephen Dillane, Ed Harris, Jeff Daniels, Toni Collette, Allison Janey, Claire Danes, Miranda Richardson, John C. Reilly, Eileen Atkins, Margo Martindale, Linda Bassett, Jack Rovello

Genre: Drama

Score out of ten (whole numbers only): 8
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Synopsis:

Stephen Daldry stepped into the film directorial world with the astounding success of "Billy Elliot", which garnered him his first Academy Award nomination. Following that film, he quickly returned with "The Hours", an adaptation of the book by Michael Cunningham, which was a huge critical darling of the year, and was again nominated for a multitude of awards. The film takes place in three different time periods, but each one has a common thread that harks back to Virginia Woolf and her novel "Mrs. Dalloway". Also each of the segments takes place during one day, but the film also unveils the connection that some of the choices these characters make has on different person's lives (and across times). The first segment takes place in 1923 as Virginia Woolf starts writing "Mrs. Dalloway" and is dealing with the challenges of her mental health and her marriage to Leonard Woolf. The second segment takes place in Los Angeles, in 1951, where Laura Brown, a married and pregnant housewife, is trying to cope with the realities of her life, and how that has actually become an extension of her ambitions and dreams (or not). She tries to bake a birthday cake with her young son for her husband, and as her day progresses, she tries to figure out what to do with her life. The third segment takes place in present times, where Clarissa Vaughan (a modern embodiment of Mrs. Dalloway) is throwing a party for her friend (and former lover), the renowned poet Richard (who is also dying). During her day, as people come and go through her life, Clarissa is forced to examine her current relationships, and also the ones who have shaped who she is.
"The Hours" is a finely tuned film detailing the relationships that are maintained from the complex lives of these fascinating women that are at the center of the film. Under the mantle of Virginia Woolf's life and oeuvre, the film expands that universe, by creating multiple threads that deal with longing, ambitions, love and resentment, that touch this diverse array of characters. It's a film that smartly navigates all three timelines highlighting both similar traits that these women share, but also amplifying how times have widened their choices allowing them to sketch their paths and options in life. It's a rewarding film, heavily anchored on a very talented cast, with all actresses creating indelible performances, including the superlative Meryl Streep, Julianne Moore, Nicole Kidman, but also in smaller roles, Miranda Richardson, Toni Collette. Their male counterparts equally excel, from Stephen Dillane to the always underrated Jeff Daniels. The score from Philip Glass is stunning as is the cinematography from Seamus McGarvey. A very good film worth watching.