Year of Release: 2019
Director: Ruben Fleischer
Starring: Woody Harrelson, Jesse Eisenberg, Emma Stone, Zoey Deutch, Rosario Dawson, Abigail Breslin, Luke Wilson, Avan Jogia, Thomas Middleditch, Victor Rivera, Victoria Hall
Score out of ten (whole numbers only): 5
Watch it on Amazon
Synopsis and Review
After making a splash with his feature directorial debut, the original "Zombieland" in 2009, director Ruben Fleischer fired off in all directions, with most of them actually ending up being misfires of a certain dimension. He has managed to balance his big screen misfires on films such as "Gangster Squad" and "Venom", with work on TV Shows that have been quite successful, including "Santa Clarita Diet", "Superstore", and "The Good Doctor". The narrative picks up ten years later after the events of the first film, with the group of Tallahassee, Columbus, Wichita, and Little Rock now living in the White House, and having a semblance of a normal domestic life, or as much it can be had in the middle of a zombie outbreak, where the zombies themselves have learnt to adapt (and evolve). Little Rock has grown up and is now a young adult, who is constantly bickering with the father figure embodied by Tallahassee. In the meantime, Columbus and Wichita's romantic relationship has continued, and he has decided to propose. Wichita and Little Rock decide to take off, the former avoiding having to give a response to Columbus and the latter tired of the fathering from Tallahassee, and her desire to find someone her own age, and possibly even have a boyfriend. Columbus and Tallahassee are surprised, but in the meantime connect with another survivor, a young woman by the name of Madison who has survived by hiding inside a Pinkberry store. Madison and Columbus have a fling, and shortly after Wichita reappears looking for weapons, letting them know her sister has taken off with a quasi-hippie guy she has met (named Berkeley). They all decide to go in search of Little Rock, firstly in the direction of Elvis' Graceland. Upon arrival the group realizes Graceland is a wreck, but they meet another survivor by the name of Nevada, who lets them know Little Rock took off in the direction of Babylon, a sanctuary of sorts for survivors, with her new friend Berkeley. The group is then joined by what seems to be a clone of Tallahassee and Columbus, who both turn out to have more than a wicked personality hidden up their sleeves.
"Zombieland" turned out to be quite a success, since it managed to deftly combine dark humor, with action, and enough pop culture references to make it a film that resonated with the audiences upon its release. After 10 years and multiple attempts at making the sequel, this continuation of the story tries its best to recapture the chemistry between all the lead actors, which is for the most part still intact. However one of the main issues with the film turns out to be the script: for all its good intentions, the characters are not given much to do in this follow up. These characters never had much in terms of dimension, beyond the archetypes they played around with, which included the iconic hillbilly, the verbose intellectual, the resourceful and beautiful grifter, and her adoringly precocious little sister. While some of these traits remain in this sequel, they stall since they don't have much to do beyond what they've already covered in the original feature, which is why the film introduces the hilarious Madison, played to perfection by the talented Zoey Deutch (who actually steals all the scenes she's in), and Nevada played by Rosario Dawson (which is just a slightly different version of the character she played in "Sin City"). The script tries to keep its ironic and self deprecating angle by poking fun at itself, introducing the quasi clones to Woody Harrelson and Jesse Eisenberg's characters, but that episode extends itself, and sadly doesn't really propel the narrative forward. Ultimately for all the noise the film creates, and it does create quite a bit of it, it is undermined by a script that doesn't know where to take these characters, and that doesn't know how to introduce more complexity to this universe (as if introducing it would dilute the branding and style of the franchise). The cast is solid, but the new additions, particularly Zoey Deutch fare particularly better than the veterans of the franchise. The production team is solid, including Chung-hoon Chung's cinematography, David Sardy's score, and Martin Whist's production design (the way he constructed the sets of Babylon is quite inventive). It's a film that treads on fresher material from the prior film, and feels less original as a result. But it's still watchable largely due to a spirited cast.
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