Sunday, January 5, 2025

Best films of 2023

2023 had some knockout films and performances. A definite rebound from 2022, both qualitatively and quantitatively. Some of the films on this list are in my opinion, modern classics. 

Killers of the Flower Moon
Director: Martin Scorsese

Director: Alexander Payne

Director: Yorgos Lanthimos

Director: Hayao Miyazaki

Director: Justine Triet

Director: Todd Haynes

Director: Andrew Haigh

Director: Jonathan Glazer

Director: Ira Sachs

Director: Christopher McQuarrie


Favorite Performance of the Year: Natalie Portman ("May December")

Favorite Supporting Performance of the Year: Jodie Foster ("Nyad") (with a strong highlight for Julianne Moore for "May December", Mark Ruffalo for "Poor Things", and Ben Whishaw for "Passages")

Favorite Cinematography: Rodrigo Prieto ("Killers of the Flower Moon")

Favorite Score of the Year: Mica Levi ("The Zone of Interest")

Favorite Production Design of the Year: Jack Fisk ("Killers of the Flower Moon")

Favorite Costume Design of the Year: Holly Waddington ("Poor Things")

Favorite Director of the Year: Hayao Miyazaki ("The Boy and the Heron") (with a strong highlight for Jonathan Glazer for "The Zone of Interest")


Best films of 2022

Another year with less than compelling film offerings in my opinion, 2022 just didn't resonate with me quite as strongly as the prior one. Here are my highlights for that year.

Everything Everywhere All At Once
Director: Daniel Kwan, Daniel Scheinert

Director: Steven Spielberg

Director: Charlotte Wells

Director: Rian Johnson

Director: Anthony Fabian

Director: Luca Guadagnino

Favorite Performance of the Year: Michelle Yeoh ("Everything Everywhere All At Once")

Favorite Supporting Performance of the Year: Ke Huy Quan ("Everything Everywhere All At Once")

Favorite Cinematography: Larkin Seiple ("Everything Everywhere All At Once")

Favorite Score of the Year: Trent Reznor, Atticus Ross ("Bones and All")

Favorite Production Design of the Year: Rick Heinrichs ("Glass Onion")

Favorite Costume Design of the Year: Mark Bridges ("The Fabelmans")

Favorite Director of the Year: Daniel Kwan, Daniel Scheinert ("Everything Everywhere All At Once")


Best films of 2021

In line with the listings I'm currently updating, here's what I compiled for year 2021. A much better crop of films that came out that year, from very different and talented artists. 

Dune
Director: Denis Villeneuve

Director: Paul Thomas Anderson

Director: Jane Campion

Director: Guillermo del Toro

Director: Pedro Almodovar

Director: Kenneth Branagh

Director: Joachim Trier

Director: David Lowery

Director: Fran Kranz

Director: Rebecca Hall

Director: Michael Sarnoski

Director: Mariano Cohn, Gaston Duprat

Favorite Performance of the Year: Penélope Cruz ("Madres Paralelas") (other two include Benedict Cumberbatch for "The Power of the Dog" and Renate Reinsve for "The Worst Person in the World")

Favorite Supporting Performance of the Year: Kirsten Dunst ("The Power of the Dog")

Favorite Cinematography: Greig Fraser ("Dune")

Favorite Score of the Year: Hans Zimmer ("Dune")

Favorite Production Design of the Year: Patrice Vermette ("Dune")

Favorite Costume Design of the Year: Luis Sequeira ("Nightmare Alley")

Favorite Director of the Year: Jane Campion ("The Power of the Dog")


Best films of 2020

For what it's worth, I used to make yearly lists of the best films of each year, since I started this blog in 2006. When Covid happened in 2020, it upended release cycles, and changed the entire world as we know it, and these lists seemed to be so insignificant in the grander scheme of everything taking place. 
However, now that life has found a new momentum, I've decided to go back to the concept of lists and refine a bit of how I've been organizing them, add a few different categories as well, and provide a bit of a personal opinion on what I've seen for that year. Here's what I compile of the best for the year 2020.

Nomadland
Director: Chloe Zhao

Director: Pete Docter

Director: Leigh Whannell

Director: Darius Marder

Director: Max Barbakow

Director: David Fincher

Favorite Performance of the Year: Frances McDormand ("Nomadland")

Favorite Supporting Performance of the Year: Maria Bakalova ("Borat Subsequent Moviefilm")

Favorite Cinematography: Joshua James Richards ("Nomadland")

Favorite Score of the Year: Trent Reznor, Atticus Ross, Jon Batiste ("Soul")

Favorite Production Design of the Year: Donald Graham Burt ("Mank")

Favorite Costume Design of the Year: Trish Summerville ("Mank")

Favorite Director of the Year: Chloe Zhao ("Nomadland")


Mystery Men

Movie Name:
Mystery Men
Year of Release: 1999
Director: Kinka Usher
Starring: Ben Stiller, William H. Macy, Hank Azaria, Paul Reubens, Janeane Garofalo, Kel Mitchell, Geoffrey Rush, Greg Kinnear, Wes Studi, Lena Olin, Eddie Izzard, Claire Forlani, Tom Waits, Pras Michel, Artie Lange, Ricky Jay, Jenifer Lewis, Louise Lasser, Ned Bellamy, Monet Mazur, Michael Bay, Noah Blake, Michael Chieffo, Mark Mothersbaugh, CeeLo Green, Stacey Travis, Doug Jones, Jack Plotnick, Dane Cook
Genre: Comedy, Action
Score out of ten (whole numbers only): 6
Watch it on Amazon

Synopsis and Review
"Mystery Men" is in many ways one very unique film in the sense that many of its creative team didn't work on any feature films following its release, starting with its director Kinka Usher, who went back to directing commercials. The narrative focuses on three friends, who moonlight as wannabe superheroes, namely Furious, Shoveler, and Blue Raja. They all fall under the shadow of the biggest superhero of Champion City, the dashing and invincible Captain Amazing. Captain Amazing finds himself in a huge predicament, much like his publicist indicates, since he has thwarted/imprisoned/or killed any supervillain that has appeared in the city. Fearing the loss of endorsements (since he has no one else to vanquish), Captain Amazing enables the release on bail of one of his most resourceful foes, the cunning Casanova Frankenstein. Casanova has plans of his own, and he soon takes over Captain Amazing. Fearing something truly nefarious is brewing in the city, Furious, Shoveler, and Blue Raja decide to recruit more unconventional superheroes for the their team with the hopes of becoming the saviors of the city (and of the captain). Their first attempt at uncovering what has happened to the Captain nearly results in catastrophe, when they take on Tony P., another master criminal. However Sphinx comes to their rescue, and also gives them a crash course in being a team of superheroes. 
"Mystery Men" could have easily fallen into the spoof genre and go for the facile laugh moment (and at times it does), however it's a film that smartly deconstructs the seriousness of the superhero genre, by placing normal individuals, some of them with questionable powers, at the center of the action. The creative team behind this film also smartly crafted a universe of its own, one where heroes and their villains portend with issues such as capitalism, surviving different family dynamics, and even the typical romantic challenges. The film is populated with cliched characters, but the creators know it so, and the film never assumes itself very seriously, something that the banter between the characters also highlights. There's a verve of irony across all these pseudo-heroes that makes the film always watchable, just as it borderlines on being a quasi-spoof type of film. The cast is another reason to be delighted by this feature, since they all play to their strengths, including Ben Stiller, William H. Macy, Hank Azaria, Paul Reubens, Geoffrey Rush, Greg Kinnear, Lena Olin, Janeane Garofalo. The production team is also top notch, with highlights going to Stephen H. Burum's cinematography, Stephen Warbeck's score, and Marilyn Vance's costumes. There are indeed aspects where the taste level is suspicious, but this is a film that doesn't take itself seriously, and ends up being quite enjoyable. 

Friday, January 3, 2025

Music with an Impact - 2024

 


2024 was an interesting year for the music arena. The Smile released two albums, both of which were great, and Charli XCX became an omnipresent figure in the lexicon of popular music. I personally consumed albums released in 2024, but also from prior years and decades, all of which were a pleasure to discover and admire for their point of view, freshness, and ambition. Timeliness is a quality that just grows in one’s eyes as we grow in age I suppose. The ability to bask in the newness of the recent and the foresight of the innovation of what has been released in the past.

The Smile — Cutouts
Empress Of — For Your Consideration
Charli XCX — Brat
Fennesz, OZMOTIC — Senzatempo
Akira Kosemura & Lawrence English — Selene
Jon Hopkins — Ritual
James Devane — Beauty is Useless
Peter Gabriel — I/O
Autechre — Garbage
Alison Goldfrapp — The Love Invention
Clark — Playground in a Lake
Abba — The Visitors

More favorites that are not illustrated in the list above.

The Divine Comedy — Fin de Siècle
KMRU — Dissolution Grip
Geotic — To Not Now, Not To Ever, Despair