Year of Release: 2025
Director: MJ Bassett
Starring: Matilda Lutz, Robert Sheehan, Wallis Day, Trevor Eve, Luca Pasqualino, Rhona Mitra, Michael Bisping, Martyn Ford, Tony Way, Katrina Durden, Ben Radcliffe, Tim McMullan, Eliza Matengu, Danica Davis
Score out of ten (whole numbers only): 1
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Synopsis and Review
The world of comic book adaptations doesn't end with Marvel and DC comics and the studios backing them. There's plenty of iconic characters that live outside that ecosystem. "Red Sonja" has had a steady cult following for years since it appeared in Marvel adventures in 1973 (inspired by Robert E. Howard's writings, which hail back to 1934 - 1935 when he started writing "Conan the Barbarian" and created that whole universe of sword and sorcery). This version of "Red Sonja" follows the adventures of the valiant warrior since a small child, when her village is invaded by barbarians, who kill her mother in the process, and push her to live in the woods. Sonja grows up by herself, having nothing but a horse as a companion, respecting nature and the woods that provide nourishment and protection for her. New in her adulthood, Sonja realizes the forest is being pillaged by mercenaries hunting for animals for gladiator games that honor the emperor Draygan. Retaliating against the cruelty of these mercenaries, Sonja is eventually captured and taken back to also fight in the games. Sonja gradually gains the camaraderie of others, who like her, were also captured and have to fight for their survival in the games. When she frees a mythological Cyclops creature, she and her group of friends flee, in order to prepare for the juggernaut of violence the emperor will unleash upon them.
Unlike the "Red Sonja" from Richard Fleischer which premiered in 1985, and had many of the traces the director had established with "Conan the Destroyer" in 1984, this new iteration of this heroine lacks both a strong directorial point of view, alongside a script that does this character and her adventures some justice. The narrative fails to make Sonja the rebel and the indomitable spirit she was in the comics, not to mention when the magical and supernatural aspects of the story occur, they do so without much context to it (spoiler warning: she gets dropped in this magical pond, that cures everything, including her mortal wounds, and gives her hair a much needed injection of color). The film feels like a cobbled web of episodes, and less of a structured script where the central character creates bonds with others, where we witness what makes other characters special or unique. The writers gathered/pillaged inspiration from "The Lord of the Rings", "Gladiator", and even some sprinkles from Guillermo del Toro's universe, and tried to create some coherence into this narrative, sadly there's so many jarring aspects to it, incluing the existence of an Emperor who looks like a New York talent scout, where the villainess Annisia has no discernible personality, but listens to demonic voices, which is apparently an apt replacement for a personality, and looks like a model ready for her "Project Runway" catwalk. There are different species also co-existing with humans, but that's not mentioned either, so this film ends up being a porridge with many different ingredients, all of which don't necessarily taste well together. MJ Bassett who has primarily made a career for herself directing TV episodes for shows including "The Equalizer" and "Reacher", illustrates rather generically what is on this script, once again trying to emulate what others have done better and with more resources. While this film is clearly a low budget endeavor, at times much can be done with modest resources, something "Obsession" has aptly proven many times over: MJ Bassett however fails to bring a unique point of view to the sequences, the action driven ones, and the more low volume ones. It would have been so interesting to see what Bryan Fuller or someone unexpected like Coralie Fargeat could have done with this material. The cast doesn't fare very well, sadly more so for Matilda Lutz who was so unforgettable in "Revenge", and here is completely wasted. Robert Sheehan, who has made a name for himself with "The Umbrella Academy", is in a different film altogether, while Trevor Eve and Rhona Mitra are just trying to keep their dignity (and bank accounts) with some padding. Simply put: this isn't good at all.
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