Year of Release: 2025
Director: Francis Lawrence
Starring: Cooper Hoffman, David Jonsson, Judy Greer, Mark Hamill, Charlie Plummer, Garrett Wareing, Tut Nyuot, Josh Hamilton, Ben Wang, Joshua Odjick, Jordan Gonzalez, Roman Griffin Davis, Noah de Mel, Daymon Wrightly, Jack Giffin, Dale Neri
Score out of ten (whole numbers only): 7
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Synopsis and Review
While producer/director Francis Lawrence started his career in music videos and commercials, before moving on to feature films with "Constantine" back in 2005, he has since carved a niche for himself directing the adaptations of many of Suzanne Collins' books from "The Hunger Games" universe. At the time of writing this review, his most recent film is premiering in 2026, another Suzanne Collins adaptation, "The Hunger Games: Sunrise of the Reaping". "The Long Walk" is another book adaptation, but this time around from a Stephen King novel (adapted by JT Mollner), an author who usually works with another writer/director, the talented Mike Flanagan, who has worked on Mr. King's adaptations such as "Gerald's Game", "Doctor Sleep", and has the upcoming "Carrie" miniseries to premiere. "The Long Walk" takes place in an alternate United States in the 20th century, where the country is dominated by a totalitarian military regime. This regime has instated an annual event named "Long Walk", which aims to inspire commitment/devotion to the regime for those who are less fortunate, particularly as the country is in the throes of an economic depression. This event consists of 50 teenage boys, one from each state, who are chosen randomly, are given rations and water, and must walk continuously while escorted by armed soldiers. If they fall below a certain speed, they're given up to three warnings, before they're killed. The last one who survives gets a large cash prize and can have one of their wishes fulfilled. This particular year of the Long Walk features a young man by the name of Ray Garraty, who has a secret agenda behind his participation (his father was killed by the military for inspiring critical thinking). His mom is devastated to see him go and participate in the event. He becomes friends with Pete McVries, a young man who also has a past story of his own, and soon the both of them have a small nucleus of buddies including Billy Stebbings, Art Baker, Collie Parker, and a few others. As the walk continues, different boys get killed, which only reinforces their drive of making it to the end.
This dystopian and alternative universe doesn't look quite so far off and different from where we currently stand. This is actually Stephen King's first written novel, even though it got published after "Carrie". While this narrative was written as response to the Vietnam War, including the drafting and killings happening then, the book is also a critique of authoritarian regimes, despots, and unchecked violence. Francis Lawrence takes a rather stripped away look to what is happening in this narrative: he illustrates the events sequentially, with a cinematography that looks unglamorous, and also without any stylized camera angles, which sometimes punctuate his films (and some of his films have great and unexpected shots, something "Constantine" and "I Am Legend" demonstrated). He illustrates the depression populations are going through (not just economical, but also moral), and the walk demonstrated the bleakness of the future that lies ahead for these young men, as they witness the wreckage that lies within the towns they walk by. Where John Hillcoat's adaptation of Cormac McCarthy's "The Road" was all about gray tones, bleakness/survival, and the ashes/remainders of the end of civilization, "The Long Walk" gives us a new perspective on how dehumanizing totalitarian regimes are, how little human lives matter to them, and how every action is a deliberate step in the direction of pushing an agenda that has very little to do with making lives better, but instead, keeping the interest of those in power protected. It's a metaphor that reads across so many different events that have occurred in the past, and continue to occur in the present. The film uses this array of young men to illustrate this brutal story, and while the script could have given a bit more nuance to some of these characters, the director is able to capture who each of them are just by a few interactions between them, glances they share, and general physical portrayal. The cast is solid, particularly Cooper Hoffman, David Jonsson, Charlie Plummer, Judy Greer, and Mark Hamill, the same going for the production team. Jeremiah Fraites' score, Jo Willems' cinematography, and Nicolas Lepage's production design, all work together to bring this universe to life. It's entertaining, well crafted, and sparks much needed reflections.
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