Year of Release: 2021
Director: Sean Baker
Starring: Simon Rex, Bree Elrod, Suzanna Son, Brenda Deiss, Judy Hill, Brittney Rodriguez, Ethan Darbone, Shih-Ching Tsou, David Maxwell
Score out of ten (whole numbers only): 7
Watch it on Amazon
Synopsis and Review
Following the critically acclaimed "The Florida Project", editor/writer/director Sean Baker returned with "Red Rocket" which had its premiere at the Cannes Film Festival of 2021. The film follows the story of Mikey "Saber" Davies, whom we first encounter on a city bus, being dropped off in Texas City (his original hometown). He walks to a modest home where he reconnects with a woman who has no desire to interact with him, and that we soon find out is his wife. Lexi is living with her mom and makes ends meet by doing sex work. As it turns out, Mikey is a former pornstar, the same going for Lexi. He eventually convinces her to stay, provided he helps with the expenses and doing some work around the house. While he interviews with a variety of places, his colorful background turns out to be problematic for potential employers. Desperate to find some income, he resorts to Leondria and her daughter June, who supply marijuana around the area (Leondria used to employ him when he was in school for the same type of job). Mikey as it turns out starts making some money, and goes around the area riding his wife's old bicycle. He and Lexi also restart a sexual connection. Mikey manages to save enough to give Lexi's mom a month's rent in advance and takes them to the local donut shop to celebrate. While there he meets Raylee, a young woman working the counter, who is 17 and about to graduate high school. He becomes enamored of her and finds out she goes by Strawberry. As their relationship deepens, Mikey envisions persuading Strawberry to get into the adult business and then making their way back to LA.
Sean Baker has made a career for himself by focusing his attention on characters that can be considered marginalized by society. That was the case with "Tangerine", which continued with "The Florida Project", and also "Red Rocket". It's not exactly misery porn, but he definitely finds something fascinating about the lives of those who exist in the fringes of the acceptable or what can be deemed conventional. And for the most part that has served him quite well. His films have the distinct power of feeling authentic and honest, demonstrating that no matter what circumstances people find themselves in, some aspects and challenges are universal. His characters may live on the fringes of what is deemed "correct", but their aspirations, dreams, and obstacles, are very real, and very similar to any other individual. "Red Rocket" operates under the same guise, with Mikey being a self deluded man who simply refuses to grow up, who still lives under the assumption and expectation that his porn glory will return or be recaptured. He is aware of the challenges he lives under, but he is also unwilling to compromise or find a different direction for himself. While he may off that world, he longs to be back in it, since he believes that's where his success lies, and where he can be somewhat protected from the rest of the world. That subset of reality is both his downfall, but also his security blanket. Sean Baker manages to capture this central character perfectly, with a fantastic central performance from Simon Rex. Mikey is unashamed, but also cowardly moving through life, hoping for the next big moment to be his comeback to a life that seems to be the only one meaningful for him. He leaves a trail of messiness on his path, but his charisma manage to get him out of tough situations. The film perfectly captures this barely there living for people with very few expectations and dreams, and does so in a way that feels very genuine and lived in. The cast is great, particularly the wonderful Simon Rex who is both charming and repulsive, a far cry from the goofy George he played for David Zucker in "Scary Movie 3". He gets great support from Bree Elrod and Suzanna Son, though the supporting characters could have benefited from some additional color/development. The production team is equally solid, including Drew Daniels' cinematography and Stephonik's production design. It may be a low budget endeavor, but it's a film that is finely crafted, with solid performances, and a nicely drawn central character.
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