Year of Release: 2020
Director: Emma Seligman
Starring: Rachel Sennott, Danny Deferrari, Molly Gordon, Fred Melamed, Polly Draper, Dianna Agron, Jackie Hoffman, Glynis Bell, Rita Gardner, Sondra James
Score out of ten (whole numbers only): 5
Watch it on Amazon
Synopsis and Review
Before the successful "Bottoms" came along, writer/director Emma Seligman collaborated with Rachel Sennott on "Shiva Baby", her low budget directorial debut which effectively launched her career. The film follows the story of Danielle, a college senior whom we first encounter in an illicit post coital situation with Max. She's running late to a shiva which she is meant to go to with her parents, Joel and Debbie. While at the Shiva Danielle runs into her former girlfriend Maya, who is about to go to law school. Max also shows up at the Shiva, since he is a former colleague of Joel's. Danielle and Maya catch up and flirt, while Debbie is trying to find Danielle a job at any chance she gets. Max's wife, Kim, shows up with their baby, as she was unable to find a baby-sitter, and Danielle eventually realizes that the one financially sustaining Max's life is actually Kim. As discussions arise about Danielle possibly baby-sitting Max and Kim's baby, the latter also suspects something is going on when she realizes Danielle has a bracelet similar to her own. The tension between these different threads eventually snaps as Max and Danielle have an awkward tryst in the bathroom, whereas Maya eventually also realizes what Danielle has been doing.
There's something quite Woody Allen inspired in this directorial debut from Emma Seligman. That particularly comes across in the way the environment in the Shiva is portrayed and characterized, and how the relationships between these characters starts coming to life. It's reminiscent of "Hannah and Her Sisters" somehow, without the polish nor the smartly interwoven relationships, but nonetheless the ability to amalgamate all these familial and sexual relationships draws parallels to that classic film from the 1980s. Emma Seligman smartly confines most of the film to a single space, creating a claustrophobic environment for this young woman who is coming to terms with her past and current choices, all of which suddenly catch up with her. The growing tension also comes from her secrets and the double life she chooses to disclose to her parents, who are intent in "solving her life". None of these threads are particularly new, but the writer/director does manage to bring authenticity and a pulse to these situations, even if some of them feel a bit forced. The film does falter a bit particularly when it comes to making the past relationship between Danielle and Maya believable: they mostly feel like high school colleagues, less so than past romantic partners. And while Rachel Sennott has become a talented performer/actress, here in particular she feels incapable of demonstrating the fractured reality in which Danielle seems to exist, though she does excel at capturing the pressure and demands her overbearing parents put on her. The film stretches itself on a rather thin premise, and the script could have expanded on the supporting characters quite a bit more, but it's still able to hold the attention based on that central portrayal of a young woman on a verge of a nervous breakdown. The supporting cast is solid, particularly Fred Melamed and Polly Draper, though Molly Gordon and Jackie Hoffman are also well cast in their roles. The production team is rather generic and not particularly memorable. It's a watchable debut for a director who has already produced and released a far more promising sophomore directorial endeavor.
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